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Now, sometimes I play the hi-hat and sometimes I play the crash. By making my left cymbal another option for Yellow an swiveling my snare just a little to the left it became a lot easier for us to move from the Rock Band drum set to the Roland. This was really confusing to me at first and it was also confusing for my friends. I did this because the hi-hat is pretty far to the left of the snare but in the game Yellow is on the right of Red. I personally chose to map HI-HAT (HH), TOM 1 (T1) and CRASH 1 (CR1) to Yellow. I know this because in the game it plays a KICK for the PEDAL and Yellow (hi-hat) for the BOW.
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I don’t know if I need a firmware update because the TD4 brain is definitely sending a different MIDI number for the HH PEDAL than it is for HH BOW. And whenever I tried to change the MIDI number it was changing the HH BOW MIDI number instead of the PEDAL. Whenever I tapped on the HH PEDAL I would see the same thing on the display as striking the HH BOW (HH). It’s worth noting here that I couldn’t find a way to program the MIDI number for the HH PEDAL (HHC input).
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My set is laid out almost identical to how it’s shown in the TD4 setup manual and I’ll explain why I set pads a certain way after the table. These mappings really do depend on how your set is physically laid out and they’re also a matter of taste. In the table below, bold numbers indicate the settings I chose and numbers in indicate each pads original setting.
Just strike any pad, then use the dial to change the note. Next I used the MIDI settings on the TD4 drum brain (Menu -> 6 MIDI) to remap the MIDI numbers on pads as necessary. In case you’re wondering I chose the Vintage kit, I chose it because I liked the way it sounded. Then I renamed kit 24 "RB Game" (Menu -> 4 Kit Name). I started on the TD-4 by copying the Vintage kit (Kit 6) to Kit 24 (Menu -> 5 Kit Copy -> Source: 6 Vintage -> Dest: 24). BOLD numbers are the primary numbers but subsequent numbers can be used as well.īelow are the MIDI settings I chose for playing Rock Band in "regular" mode (Main Menu -> Play Now or Career).
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It’s taken straight out of the MIDI Pro Adapter manual and it shows the MIDI numbers that are supported for each pad. The table below is included for reference. I used this feature to create two different kits for use in Rock Band and I’ll describe each of those kits below. The TD-4 allows you to setup multiple ‘kits’ and each kit can have it’s own MIDI map. Though the MIDI Pro adapter does support several MIDI numbers for the same color I just felt like it did a better job of ignoring double hits when the same number was used across pads (this isn’t something I could prove though). The first thing you’ll want to do is setup the proper MIDI mapping in the TD-4 brain. I personally have the Cross-Talk wheel set to about 80% sensitive, but you’ll find your sweet spot after a few minutes of playing. There’s really nothing you need to configure on the MIDI Pro adapter other than making sure the switch is set to ‘D’ (Drums). Your pads may be more or less sensitive, your pads may be mounted closer or further away from each other, your carpet may absorb more vibrations, etc. This is especially true of the TD-4 manual because your drum set could be different from mine. If you have time you can learn a lot more about each setting by reading these manuals. Though I did all my research using the Roland TD-4, these settings should affect gameplay similarly on any other drum set that has them.Īll of this information was compiled using the resources listed below. Still, your drum set could be quite different from mine and these settings may need to be changed over time. In the end, the MIDI-Pro adapter made such a noticeable difference that I really only needed to change a few settings from the TD-4s factory defaults to get the performance I wanted. Then I sat down and played with all the settings to understand how they impacted game play and achieve the ‘perfect’ settings.
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I started by reading the manuals for the MIDI Pro adapter and the TD-4. So when I read about the MIDI-Pro Adapter I got pretty excited and decided it was time to fix my problems once and for all. It worked fairly well, but I’ve always been plagued with random double-hits or random misses and, well, I was obsessed.
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Let me start by saying I’m neither a professional drum player or a professional Rock Band player, but for some reason I find myself strangely obsessed with getting pro drums working perfectly in Rock Band.Ībout a year ago I took it upon myself to tear apart a Guitar Hero drum set and turn it into a wireless controller for my Roland TD-4.